My work often begins with a cut: the metal sheet must first be separated, then manipulated, fabricated, finished. Slicing can edit, omit, and highlight ideas. Such objects are at once present and absent. Utility is featured and undermined. The fragment can recall the totality of a thing while it provokes us to consider the relevance of what is missing, what remains.
2005. Coppercraft collectibles, copper and brass. 81" across.
Private Collection
2012. Silver, 2.5" x 18" x 5".
Collection: Museum of Fine Arts, Houston
1990. Copper. 8" x 5" x 2.5" each
1991. 9" x 6" x 3" each.
Private Collection
2011. Copper, brass, tin. 4" x 8" x 14.5"
1994. Copper, found object.
Private Collection
1994. Silver, copper, walnut veneer. 8.25" x 18" x 2"
Private Collection
1991. Silver, found spoon, copper.
Collection: Samuel Dorsky Museum of Art
1995. Silver, copper, walnut veneer. 4" x 12" x 4"
Private Collection
Silver, copper, found object.
Private Collection
Brass, copper, ash veneer. 4” x 15” x 2”.
Collection of the artist
1995. Copper. 11" x 7" x 5"; 11" x 9.5" x 4".
Collection: Renwick Gallery, Smithsonian Institution
2010. Copper, and jersey t-shirt scrap
2010 - ongoing. Copper, brass. Displayed across 96”
2012. Copper. 14" x 6" x 8", 6.5" x 3.5" x 7".
Private Collection
2013. Formed and fabricated silver. 13.6” x 6” x 2.5”
1991. Formed and fabricated silver, copper. 3.25” x 6” x 3.5”.
Private Collection
1993. Formed and fabricated silver, copper. 5.25” x 9.5” x 6.25”
Private Collection